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Promotion of Australian printmaking and members work.

| EXPRESSIONS OF INTEREST Applications close Friday 22 March, 11:59pm. Mornington Peninsula Regional Gallery is currently seeking Expressions of Interest for the 2024 Artist-in-Residence program, at Police Point Shire Park. The AiR program is open to visual artists, writers, curators, musicians and researchers to undertake a 2- to 6-week residency to engage with the site and the natural and human history of the area. Through the program, MPRG and the Mornington Peninsula Shire aim to support, exhibit and promote ambitious work.The program aims to be a catalyst for immersion, experimentation, connection, collaboration and discourse between participants and with the public. It is an opportunity to widen and strengthen Mornington Peninsula arts communities, support career development of local and emerging artists, and connect Peninsula communities to artists from further afield.Who should apply:We welcome expressions from emerging, mid-career and established artists, based locally, interstate and internationally, in all visual art forms, as well as performance, dance, music, public art, film/video, literature, scientific and/or social research, interdisciplinary arts, architecture and new media. First Nations, LGBTIQA+, culturally and linguistically diverse and artists with disability are encouraged to apply. FIND OUT MORE |

Artists (individuals and groups) are invited to submit an Expression of Interest to exhibit at the newly established PCA Gallery. Exhibitions to commence from January 2025. Proposals may be inter-disciplinary but must contain elements of contemporary printmaking. This may be in the form of artists’ books, established or experimental forms of print and more broadly paper-based art. Submissions for solo exhibitions, two / three person shows, or larger group shows are all welcome.
Established in 1966 the Print Council of Australia Inc. (PCA) is the peak body representing and connecting our national communities in printmaking and works on paper.
Based in Naarm/Melbourne this national organisation promotes and supports contemporary artists working in print media, and advocates for the appreciation of printmaking, artist books and works on paper as a vibrant field of creative endeavour in the Australian context.
The PCA Gallery is located in Melbourne’s designated Arts Precinct. Close to the CBD, the gallery is a short walk to the Australian Centre for Contemporary Art, Melbourne Recital Centre, and the National Gallery of Victoria amongst other cultural destinations.
Enter HERE to Apply.


Surveying the breadth and depth of contemporary print-practice, Edition Five marks More Than Reproduction (MTR)’s fifth anniversary as an artist-run initiative, aligning with International Women’s Day. Demonstrating the malleability of printmaking in both focused and cross-disciplinary practices, the exhibition features recent work by artists from MTR’s monthly artist profile program. Underpinned by parallels and polarities, experimentation is at the nucleus of the exhibition, with artists navigating diverse print methodologies and outputs. In this exhibition, printmaking exists within the depths of the past and the surface of the present; where the reproducible and unique converge and co-exist.
Artists: Danielle Creenaune, Saskia Haalebos, Angela Hayson, Jacky Jacqueline, Isabella Kennedy, Emilee Robinson, Jenny Robinson, Katika Schultz, Brigitta Summers, and Maria Thaddea.
Opening Party: 6pm – 8pm Friday 8 March 2024
Refreshments provided.
RSVP https://events.humanitix.com/opening-party-edition-five
Exhibition Dates: 8 – 26 March 2024Location: Broadhurst Gallery, Hazelhurst Arts Centre
Meet the Artists & Printmaking Demos: 10AM – 1PM Saturday 9 March
Panel Discussion: 11AM – 12PM Sunday 17 March


Ildiko Kovacs, Sun Burst, 2009. Image courtesy of the artist and Martin Browne Contemporary.
UNEVEN TERRAIN: SURVEYING THE LANDSCAPE
28 February – 28 March 2024
Join us for the opening event, meet the artists and enjoy some refreshments.
Friday 8 March
Time: 7:15-9pm
Location: Gallery Lane Cove
Artists:
Bronwyn Bancroft, Monika Behrens, Judy Cassab, Adrienne Doig, Rosalie Gascoigne, Marisabel Gonzalez, Angela Hayson, Samantha Hobson, Jennifer Keeler-Milne, Maree Kelly, Nicole Kelly, Ildiko Kovacs, Eva Kubos, Sue Lalor, Fiona Lowry, Nurit Ophir, Felixe Rives, Sally Ross, Kate Shaw, Brigitta Summers and Scarlett Stokoe
Uneven Terrain: Surveying the Landscape presents the works of 8 emerging and mid-career artists alongside significant works from the Macquarie University Art Collection. At its core, the exhibition is about how the selected artists present, or rather represent the landscape within an abstracted and conceptual framework full of symbolism, energy, and mastery of their selected medium. These landscapes present us with a version of our world through not only the artists’ eye, but their lived experience. One that is framed by their gender, heritage, and environment.
Part of Gallery Lane Cove + Creative Studios suite of activities to mark International Women’s Day, the title, Uneven Terrain highlights the disparity experienced by many female-identifying artists in this country. It’s no secret that a gender pay gap exists in Australia. It’s calculated that women earn less than their male counterparts. What is perhaps a little more surprising and troublesome is that in the visual arts, female artists earn significantly less than the national average. Even though that more than two thirds of art school graduates are women, works by male artists constitute the bulk of artworks within the collections of most cultural institutions.
With this exhibition we aim to showcase the important, exciting, and skilful work being created today as we join voices with other national institutions to attempt to redress disparities experienced in our community.
This exhibition is part of a two-venue exhibition partnership with Macquarie University Art Gallery.
Co-curated by Rhonda Davies and Miguel Olmo.
Femme-Maison: Imagined Boundaries – Women artists from the collection and beyond
at Macquarie University Art Gallery
26 February−29 April 2024

RSVP to: rae@bigci.org is essential
Program
11.00: Exhibition opens
11.45: Rae and Yuri Bolotin Introduction
12.00: Lotte Günther Artist Talk
12.30: Lea Kannar-Lichtenberger Artist Talk
1.00 – 2.00: Lunch, bring food to share
2.00: Edita Sabockyté-Skudiene and Alevtina Scepanova Artist Talk
2.30: Anna J. van Stuijvenberg Artist Talk
3.00: Jacques Martens Artist Talk
3.30: Lea Kannar-Lichtenberger Poetry Reading
4.00: Exhibition closes
Check www.bigci.org for more information
Address:
BigCi
82 Hanlons Road North, Bilpin,
NSW, 2758

Lea is presenting work produced during her residency at the Big Ci open day, along with other residents.



Barbara Davidson, Jacqui Driver, Roslyn Kean and Gary Shinfield have prints in this show celebrating Studio One.
Basil Hall has offered to be at the Tuggeranong Arts Centre from 10.30 on the morning of 16th March to welcome any Sydney Printmakers who are in Canberra for the Opening of the Humble House show and would like to meet him and see the show.
OFFICIAL OPENING: Friday 2 February, 6pm
EXHIBITION SHOWING: 2 February – 28 March
AFTERNOON TEA WITH BASIL: Saturday 24 February, 2-3pm
BOOKINGS: Click here to book for afternoon tea with Basil
Studio One Printmaking Workshop was a dynamic access and editioning studio in Kingston. It was founded by Dianne Fogwell and Meg Buchanan in 1982 and operated until 2000 under a number of Directors, including Basil Hall, who ran the studio from 1987-1996. During this exciting period numerous Canberra printmakers honed their craft, many following degrees at Canberra School of Art, but many more learning etching, lithography and relief printing for the first time as access users and class members. Studio One’s facilities complemented those at Megalo, where silkscreen printing equipment was available for access use. In addition to classes, school holiday programs and weekend workshops, Studio One also offered an editioning services to artists Australia-wide.
This exhibition, drawn from Basil Hall’s boxes of Printer’s Proofs and mementoes, includes prints by Mandy Martin, Jorg Schmeisser, Paul Peisley, George Gittoes, Raymond Arnold, Garry Shead, Pamela Challis, Bob Russell, GW Bot, Chris Denton, Dianne Fogwell, Julie Bradley, Sylvia and Tony Convey and many, many more!


The Hadley’s Art Prize is for two-dimensional Australian landscape art.
Please read the 2024 Conditions of Entry
To participate, you need to be over 18 and must be an Australian citizen or permanent Australian resident.
Entries close on Friday 15 March 5pm AEST.
The work must have been undertaken and completed within two (2) years immediately preceding the entry close date.
Must not be larger than 160cm x 160cm. A stretched canvas is considered framed.
There is an entry fee of $50 per submission. Each artwork entered requires a new form.
If you have any questions or require assistance, visit our Frequently Asked Questions page or email us.
