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Swan Hill 2020 Print and Drawing Award

March 16, 2020 by Anthea Boesenberg Leave a Comment

Print and Drawing Acquisitive Awards

Celebrating printmaking and drawing, this long running prize will see some of the finest contemporary works entered from across Australia.

The mission of the Swan Hill Print and Drawing Awards is to promote excellence in Australian prints and drawings, present an exhibition of contemporary works and continue to build a high-quality collection for Swan Hill Regional Art Gallery.

How to enter

During the application process you will need to:

  • Upload a high resolution image of your artwork (file types accepted jpg, tiff. Max upload 5 MB)
  • Supply as statement about your artwork (max 50 words)
  • Pay a $45 non-refundable handling fee

Enter now!

Important dates

6 January 2020 Entry forms open online
Midnight 21 June 2020 Entries close
17 July 2020 Announcement of finalists
4 September 2020 Date of launch
4 September 2020 Announcement of winners

For more information contact the gallery on (03) 5036 2430.

 

Filed Under: Acquisitions, Call for Entries, Print Prizes Tagged With: Acquisitive award, contemporary, drawing, printmaking, Swan Hill, Swan Hill 2020 Print and Drawing Awards, Swan Hill Regional Art Gallery

Review of Borderless by Sasha Grishin in the Canberra Times

October 3, 2019 by Anthea Boesenberg Leave a Comment

Sydney Printmakers: Borderless. Megalo Print Gallery, 21 Wentworth Avenue, Kingston. Until November 2. megalo.org.

Printmaking is probably the most collaborative of all of the major art mediums. Shared facilities and shared expertise have characterised printmaking since its earliest days and many printmakers see themselves as part of an extended network of professional artists.

Roslyn Kean, Weaving Ancestral Voices II in Sydney Printmakers at Megalo. Picture: Supplied

Roslyn Kean, Weaving Ancestral Voices II in Sydney Printmakers at Megalo. Picture: Supplied

In the almost 60 years of its existence, Sydney Printmakers has included most of the major printmakers of the time and the situation has not changed.

Today, there are about 60 members in Sydney Printmakers, 33 of whom are included in this exhibition. It is an exceptionally rich and diverse show with some brilliant work.

As a sweeping generalisation, Sydney printmaking, as epitomised here, is becoming far less new-media driven and more artists focus on analogue techniques. Woodcuts, linocuts, etchings plus the occasional screenprint hold sway, while digital and inkjet prints are the exception. It may be foolhardy to leap to conclusions on the basis of this exhibition, but it appears that digital technologies are being increasingly absorbed into the toolbox of Australian printmakers rather than being seen as an end product. Many may employ computers to formulate an image but employ traditional technologies to realise the final print.

The exhibition is dominated by some brilliant and ambitious woodcuts worked on a large scale by established masters, including Roslyn Kean, Susan Rushforth, Anthea Bosenberg, Angela Hayson and Helen Mueller. Rew Hanks is represented by one of his unbelievably detailed narrative linocuts, Josephine’s Ark (2019), while Graham Marchant’s linocut, The Cranford Rose Garden (2015-18), has an intriguing complexity produced through a deceptive simplicity of means.

Seraphina Martin, Finding solace in the land, 2019 in Sydney Printmakers at Megalo. Picture: Supplied

Seraphina Martin, Finding solace in the land, 2019 in Sydney Printmakers at Megalo. Picture: Supplied

It is exciting how some of the “elders” of the printmaking tribe are branching out in new directions. Seraphina Martin’s Finding solace in the land (2019) is a light and highly evocative etching with watercolour, while Susan Baran’s huge tour de force Allure (2019) is a complex piece where she has collaged etchings and relief prints into a rippling, intricate composition.

One beauty of printmaking is its sense of intimacy through which it can convey an artist’s personality. Examples include the refined lyrical sensibility of Tanya Crothers’ collagraph Black Springs re-visited (2019), Wendy Stokes’ delicate Blended geographies (2019) combining relief, monoprint and stencil, Salvatore Gerardi’s striking Pervading memories: shadow lines (2019) or Andrew Totman’s spatially ambiguous floating monoprint, Touch (2018).

There are also some of the classics of Sydney printmaking, such as Barbara Davidson’s etching collagraph Voters and parliamentarians (2019) with its humour and brilliance of observation, and Bernhardine Mueller’s All the rivers run? (2018) with its dry humour and a created personal narrative.

Nina Juniper, Self supporting #1, 2019, in Sydney Printmakers at Megalo. Picture: Supplied

Nina Juniper, Self supporting #1, 2019, in Sydney Printmakers at Megalo. Picture: Supplied

There is a strong, punchy inkjet print by Marta Romer, Borderless (2019) and a bold, inventive screenprint by Nina Juniper, Self supporting #1 (2019), that depicts a crumbling industrial site she has screenprinted on a block of concrete. Her print conveys a range of possible readings with effective humour.

This is an exciting, adventurous exhibition that demonstrates that printmaking in Sydney is in ascendancy.

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Filed Under: Exhibitions Tagged With: analogue, Borderless, digital, Kingston, Linocut, Megalo Print Studio, Nina Juniper, printmaking, Roslyn Kean, Sasha Grishin, Seraphina Martin, woodcut

Lichtenstein to Warhol at the NGA

September 6, 2019 by Anthea Boesenberg Leave a Comment

 

Lichtenstein to Warhol: The Kenneth Tyler Collection

PREVIEW

3 September 2019

Often perceived as a modest artform compared to, say, the grandiosity of painting, printmaking has been a site of experimentation, a fact highlighted in Lichtenstein to Warhol: The Kenneth Tyler Collection at the National Gallery of Australia.

Kenneth Tyler was an innovative printmaker who collaborated with key 20th-century artists. Acquired in 1973, the collection of over 7400 works occupies a significant place in the NGA’s holdings. The exhibition covers post-war American artists across the key art movements, including abstraction, minimalism, neo-Dada and later, pop art.

“When Kenneth Tyler started as a printmaker, lithography was associated with commercial reproduction; and it was almost an unknown alchemical process, and he began to make sense of it in a scientific way,” says David Greenhalgh, assistant curator of the exhibition. “The tradition of lithography had rules; 30 x 40 inches was the size most lithographers worked to, for example. Tyler comes along and says ‘let’s not put these rules on our artists’– instead the artist is key in this scenario. We are going to say, ‘what do you want to make?’ And if we come across technical problems we won’t shut them down, we will say, ‘Ken Tyler will find a solution to your printmaking problems’”.

This led to works such as Robert Rauschenberg’s Booster, 1967, comprised of an X-ray of himself printed roughly life-size. Also on display are sculptures such as Roy Lichtenstein’s 3D multiples. “It was very innovative for the time to be producing editions of sculptural work,” says Greenhalgh. Certain works revive old techniques, such as the ‘rainbow roll’ used to make Henri de Toulouse-Lautrec’s lithographs in the 19th century, which Tyler adapted for Jasper Johns. Greenhalgh says, “It’s a fun sort of vision of it being an innovative workshop, but also as this lineage of lithography throughout time.”

Lichtenstein to Warhol: The Kenneth Tyler Collection
National Gallery of Australia
7 September—9 March 2020

Filed Under: Exhibitions, Of interest to members. Tagged With: Andy Warhol, Ken Tyler Collection, National Gallery of Australia, printmaking, Roy Lichtenstein

The Tate Adams Memorial Residency at Baldessin Press

March 27, 2019 by Anthea Boesenberg Leave a Comment

State Library Victoria, in partnership with the Baldessin Press, is offering a new artist’s book residency as part of the annual fellowship program.

The Tate Adams Memorial Residency is offered to an artist to accomplish a limited edition or unique state artist’s book, using research from State Library Victoria and the studio facilities at Baldessin Press & Studio.

The Baldessin Press can supply studio access, accommodation and assistance to facilitate the book project in many ways, to the sum of $5000 over the 12-month period.

The recipient also has the opportunity to participate in an event to present their project to the Library, the public and other supporters.

Applications

Applications for the 2019–20 fellowship are now open. Fellowship applications must be received by midnight on Sunday 28 April 2019.

The creative content of applications is of primary importance. Along with clearly describing the book’s proposed content, design and appearance as a finished object, applications can include original text, typography, sketches or examples, proposed printmaking components and binding or presentation. Each application will be judged on individual merit, including the artist’s personal conception, expression and definition of book art.

Note: Applicants must include documented and dated images of their work, along with links to any websites where their work is displayed.

More information

If you have specific questions about the Tate Adams Memorial Residency requirements or selection process, contact Gail Schmidt at fellows@slv.vic.gov.au or on 03 8664 7335.

About Tate Adams & Baldessin Press

Tate Adams AM (1922–2018) established the artist print department at RMIT in 1960 and championed printmaking throughout Australia. His students included George Baldessin.

Situated in bushland 50 km from Melbourne in St Andrews, the Baldessin Press & Studio is named in memory of artist, printmaker and sculptor George Baldessin (1939–78), who built the bluestone studio in 1971.

Filed Under: Artists Books, Of interest to members., Residencies Tagged With: Artists Books, Baldessin Press, printmaking, Residency, State Library of Victoria, Tate Evans

Sydney Printmakers at Artsite Gallery

February 1, 2018 by sydprint Leave a Comment

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Filed Under: Exhibitions Tagged With: Artsite Gallery, Camperdown, Hannah Hutchison, printmaking, Sydney Printmakers

Second Workshop with Gary Shinfield and Irena Conomos

December 11, 2017 by sydprint 1 Comment

 

Irena Conomos and Gary Shinfield are holding a second workshop in the Blue Mountains, from Tuesday 16th to Friday the 19th of January. This workshop will be similar to the first.

The basis of this workshop is an immersive experience responding to the environment, climatic conditions and nature in all its manifestations. Your work will be shaped by these experiences and any changes as they unfold.

From this exploration you will work independently developing your own ideas over the period of the workshop, working with two artists with many years experience in their respective fields of printmaking and photography.

Explore the Grose Valley and Blue Mountains National Park through daily excursion and research

Create through printmaking, drawing and photography

Develop your ideas in the studio.

In the workshop you will be working with multiple plates – 3 woodblocks and one piece of lino – to build a composite image or series of images. We will also explore ink painting in the landscape, the transfer of these onto blocks, etching lino, and various methods of multi plate printing.

Printmaker        Gary Shinfield   email: gary@garyshinfield.info

Photographer    Irena Conomos    email: irenaconomos@gmail.com

In this workshop you will be encouraged to explore photographically to move past the preconceived or familiar developing images using the photographs ability to reveal what is often unseen. The resulting work may remain as digital files for you to work on over time, images can be printed onsite or you can combine these with overprinting or as inspiration to draw on plates.

To receive workshop details and registration information please enquire on the above contacts. For accommodation options contact Gary Shinfield directly.

Filed Under: Workshops Tagged With: Blue Mountains, Gary Shinfield, Irena Conomos, Linocut, Mellow Bath, Photography, printmaking, residential, woodblock

Printmaking in Malta, from Robyn Smith

December 3, 2017 by sydprint Leave a Comment

Printmaking in Malta is the focus of a new exhibition currently on at the Malta Society of Arts in Valletta.

This annual exhibition promotes local and international artists working in original printmaking.

This year’s edition is the first curated intaglio exhibition to feature established local and international artists, as well as exhibiting original artworks by world-renowned artists such as Marc Chagall, Marino Marini, Victor Pasmore and Julian Trevelyan.

This exhibition is also giving special attention to artworks of Italian master etcher Gianfranco Ferroni, with seven of his works on display.

“This year’s exhibition is a beautiful synthesis of refined versatile works and it breathes an inventive graphic dialogue between international and local artists,” said curator and artist Roderick Camilleri.

These include Pawl Carbonaro, Luciano Micallef, Eman Grima, Austin Camilleri, Robert Zahra, Richard Saliba, John Vassallo, Jesmond Vassallo, Justin Falzon, Raymond Pitrè, Lino Borg, Irene Zammit, Robyn Smith, Daniela Pili, Misaki Oguro, Tomiyuki Sakuta, Caronline Koenders, Youssef Elkahfaï, Olaugh Vethal and Tazi Saad.

“It is an exclusive event where the public can engage with original local and international artworks that have previously never featured together in Malta,” continued Camilleri.

This exhibition is being held at the newly-refurbished galleries at Palazzo de la Salle in Republic Street, Valletta, until Saturday, December 9. Opening hours: Monday to Friday from 8.30am to 7pm, Saturdays from 8.30am-1.30pm. Entrance is free.

Filed Under: Exhibitions, Of interest to members. Tagged With: .Gianfranco Ferroni, intaglio, local and international artists, Malta, Marc Chagall, Palazzo de la Salle, printmaking, relief, Robyn Smith, Valletta

Blue Mountains Summer Workshop with Gary Shinfield and Irena Conomos

December 3, 2017 by sydprint 4 Comments

A Site specific creative workshop exploring printmaking and photographyover 4 days and 3 nights from Monday January 8 to Thursday January 11, 2018  10am-4pm daily.

Printmaker        Gary Shinfield   email: gary@garyshinfield.info

Photographer    Irena Conomos    email: irenaconomos@gmail.com

Make connections with the surrounding area environment, and create in a studio in Medlow Bath.

Explorethe Grose Valley and Blue Mountains National Park through daily excursion and research

Create through printmaking, drawing and photography

Develop your ideas in the studio.

Pathways, woodcut and photopolymer print on 4 sheets of paper, UP

Gary Shinfield  2017

My recent work explores the idea of mapping journeys in the surrounding environment, and combining different printmaking techniques.

In the workshop you will be working with multiple plates – 3 woodblocks and one piece of lino – to build a composite image or series of images. We will also explore ink painting in the landscape, the transfer of these onto blocks, etching lino, and various methods of multi plate printing.

www.garyshinfield.info

Coat, Digital print Irena Conomos 2017

This image is based on a single photograph developed into a multiple, mirrored piece morphing into something organic and unknown.

In this workshop you will be encouraged to explore photographically to move past the preconceived or familiar developing images using the photographs ability to reveal what is often unseen. The resulting work may remain as digital files for you to work on over time, images can be printed onsite or you can combine these with overprinting or as inspiration to draw on plates.

The basis of this workshop is an immersive experience responding to the environment, climatic conditions and nature in all its manifestations. Your work will be shaped by these experiences and any changes as they unfold.

From this exploration you will work independently developing your own ideas over the period of the workshop, working with two artists with many years experience in their respective fields of printmaking and photography.

To receive workshop details and registration information please enquire on the above contacts. For accommodation options contact Gary Shinfield directly.

Filed Under: Workshops Tagged With: Blue Mountains, drawing, Gary Shinfield, Irena Conomos, Linocut, multiplate printing, Photography, printmaking, woodblock

Gary Shinfield/Irena Conomos Workshop in the Blue Mountains

March 18, 2017 by sydprint Leave a Comment

‘WALKING THE TRACK’ IN AUTUMN

Artists’ Workshop Sat 8 April – Tue 11 April 2017

4 days and 3 nights

Gary Shinfield Printmaker email: gary@garyshinfield.info

Irena Conomos Photographer email: irenaconomos@gmail.com

Explore the regional environment in a botanic garden and bush-land in Medlow Bath

Create through printmaking, drawing and photography

Develop an artist’s folio in on-site studio

Suitable for those with some experience of printmaking and photography.

For workshop details and registration please enquire on the above emails.

For accommodation options please email Gary Shinfield.

Filed Under: Workshops Tagged With: Autumn, Blue Mountains, Create, Develop, Explore, Gary Shinfield, Irena Conomos, Mellow Bath, Photography, printmaking, Walking the Track

Exhibition of prints in Katoomba

November 22, 2016 by sydprint Leave a Comment

Rex-Livingston Projects invites you to the exhibition opening of PRINT CIRCLE,
21 Print makers from Sydney showing in Katoomba.

Opening drinks: Saturday 26 November, 2 to 4pm
Exhibition on view: 24 November to 5 December
182-184 Katoomba Street, Katoomba, NSW 2780
Selected PRINT CIRCLE works on view below (there are over 85 prints to view in this exhibition, priced from $260 to $950 – making this a great show for giving ART at Christmas)

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Filed Under: Exhibitions Tagged With: Christina Cordero, Katoomba, Laura Stark, Print Circle, printmaking, Rex Livingstone

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