
Colin Holden Print Commision For Students

Promotion of Australian printmaking and members work.
Submissions close 25 July
Size restriction single entry size 40x40cm or equivalent
Double entry 80x40cm or equivalent
Start by reading the important information below then click on one of these links to fill out a friendly form. (If you are submitting one larger piece you still use the submission form for one work.)
8-10 August
Deliver work/s to Tiliqua Tiliqua, 257 Enmore Rd, Enmore NSW
14 August
Show opens
16 August
Celebratory drinks 4-6pm
1 September
Show closes
1/2 September
Collect any unsold work from Tiliqua Tiliqua
The competition is open to all artists across Australia and attracts entries in all mediums from traditional forms to new media artworks.
16 May 2025 – 07 July 2025 9:30am – 4:30pm
Gosford Regional Gallery
This year the prize pool has increased in all categories. The acquisitive Gosford Art Prize winner is awarded $25,000, the Ceramics Prize $10,000, the First Nations Artist Prize $10,000 and the inaugural Moving Image Art Award $10,000. Entrants in all categories are eligible for the major award.
The winners will be announced at the exhibition opening event Friday September 5 starting at 6pm
STILL: National Still Life Award is Yarrila Arts and Museum’s national biennial acquisitive art award. Established in 2017, STILL aims to recognise excellence, diversity and innovation in contemporary still life practice while broadening the interpretation of this enduring genre.
STILL: National Still Life Award is open to artists at all stages of their practice and working across all mediums, including but not limited to painting, photography, printmaking, sculpture, video and installation.
STILL 2025 has a prize pool of $36,000.
Awards
STILL: National Still Life Award: $30,000 (acquisitive)
Coffs Coast Artist Award: $5,000
People’s Choice Award: $1,000
Award winners will be selected by a panel of judges.
Key dates
Applications open 1 April, 9am
Entries close 6 July
Finalists announced 18 July
Artwork deliveries 11-15 August
Exhibition opens Saturday 6 September
Exhibition closes Sunday 9 November
Key information
Artist must be an Australian Resident
Artists may submit up to 3 entries.
Download the Conditions of Entry here
ENTER HERE
Do you have a question? Email us at still@chcc.nsw.gov.au
Now in its 13th year, the biennial Hazelhurst Art on Paper Award promotes excellence and innovation in the field of art on paper while supporting and encouraging artists who specialise in this medium.
Curator of the exhibition, Dr Victoria Wynne-Jones, tells ArtsHub, “The most interesting thing about the Award is that paper is not just a medium – it can also be the subject matter.”
She continues, “In the past we’ve had quite large-scale installations, we’ve had photographs printed on paper, we’ve video installations incorporating paper – they all engage with the materiality of paper without making work on paper.”
Wynne-Jones says the Award has a broad remit of material definitions, and can include painting, drawing, sculpture, installation, photography, mixed media, performance and video. Over the history of the Award, Wynne-Jones says she has observed that artists have become “more creative and innovative. I think every time works are chosen by the judge to be the winners, they sort of push the envelope”. She adds that some of the works have also become more expansive in scale with time.
Entries for the Hazelhurst Art on Paper Award have opened and, with a prize pool of $26,000 and an average of 80 finalists chosen each year, it is a good one to consider. The judge for this year’s prize is Daniel Mudie Cunningham, a previous Curator at Hazelhurst Arts Centre, and now Director of Wollongong Art Gallery.
Wynne-Jones says that, as a curator working on the Award exhibition , she has found its diversity “quite liberating”, adding that she is “an artist-led curator, and I just try and create a cohesive journey for gallery visitors through the space”.
Simply, the Award recognises outstanding artworks created with, on, or about paper. It is about celebrating the potential of paper as a medium for artistic expression.
Wynne-Jones reflects, “I think often, still in this day and age, art is very hierarchical, and painting reigns supreme. It’s just nice to have an award that celebrates paper, and I think differentiating it from drawing is a key aspect. While drawing is a preparatory process for many artists, the Award demonstrates that working on paper is an end in itself.”
She adds that this very familiarity with paper as a material makes the exhibition extremely accessible. “I think it’s very elemental,” says Wynne-Jones. “I feel like working with paper is something humans have been doing for a very long time. I guess, if you think about it, drawing on paper is the first art that we make as children. So it’s very accessible in that way too.”
Wynne-Jones continues: “It can also be quite an intimate medium. And, in this day and age, there’s also the element that it is a natural material, so it’s biodegradable and not terribly hard on the environment. That’s probably an added attraction for many artists. And it’s also very cheap (!), which also makes it accessible.” And her tips for entering? “Just take risks and be brave.”
Entries are now open for the Nillumbik Prize for Contemporary Art (NPCA) to artists across Australia, working in any medium.
This biennial competition includes four monetary prizes:
The Open and Local Prize are acquisitive. This means that the winning artworks become part of the Nillumbik Shire Art Collection.
Before applying, please be sure to read the 2025 NPCA Guidelines(PDF, 264KB)
The Overwintering Project is an environmental art project inviting artists from Australia and New Zealand to visit, research, and respond to the unique nature of their local migratory shorebird habitat. Australia and New Zealand have over 100 internationally important shorebird overwintering sites. These sites are not interchangeable: each possesses a unique combination of physical and biological features that makes it the perfect sanctuary for migratory shorebirds to return to year after year.
Printmakers are invited to submit a print to the Overwintering Print Portfolio. Galleries, artists, print workshops and groups, councils, schools, BirdLife groups, NPWS services or any other group with an interest in raising awareness of their local shorebirds and shorebird habitat are invited to participate in the Overwintering Project by organising an Independent Overwintering Project Exhibition or Event.
If you would like to plan an Overwintering Project exhibition or event, please first contact the Project Co-ordinator Kate Gorringe-Smith (overwinteringproject@gmail.com).
The call for entries for the 14th Biennale internationale d’estampe contemporaine de Trois-Rivières is aimed all professional artists who work in printmaking. Interested artists must complet the entry form, submit between 5 to 7 works or 5 photos of 1 installation project, an artist’s statement of 150 words (maximum)(obligatory) in French or in English and pay the entry fees according to the place of residence. Only one entry per artist is accepted, whether it is for an individual file, a project done by a duo or by a collective of artists. |
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