Jenny Robinson has a Solo Exhibition FRAMEWORKS
at no.85 Art Gallery, Seattle 6-29 August 2026
Members News: Congratulations to Jenny Robinson
News From Jenny Robinson Print Studio
Congratulations to Sydney Printmaker Jenny Robinson who has been selected a finalist Ravenswood Womens Art Prize this year.
Also Jenny has a Solo exhibition in Wellington NZ
at Nine Fathoms Deep Gallery Edifice from 1 April – 7 May 2026
READ MORE https://ninefathomdeep.co.nz/exhibitions/current/
THERE IS ALSO A SPOT IN THESE WORKSHOPS IN HER STUDIO
Advanced Collagraph Printmaking: A Five-Day Immersion with Sarah Amos 25-29 May
Monoprints Reimagined: Breaking the rules of the Multi Plate Monoprint with Sarah Amos
1-3 June 2026 , 3 days
2-Day Intensive: Massive Monoprint Workshop with Jenny Robinson 25-26 April 2026
Contact her at Enquiries@jennyrobinsonprint.studio
Jenny Robinson Print Studio
| Jenny Robinson has a very busy year ahead of her. Here are some of the events on offer……. |
 2025 Studio Events, Workshops and Master Classes February 16: Celebrate our 1 year anniversary at our Open Studio. Join us for a glass of wine/beer and check out what our small but perfectly formed open access printmaking studio has to offer artists here in Sydney’s Inner West. February 22-23: Our first OPEN PRESS weekend We are introducing our first Open Print Weekend for artists who want to extend their print practice with the time and space to explore printing on a large scale. April 5-6: MASSIVE MONOTYPES Weekend Come and make huge monotypes with us on our massive American French tool etching press. This 2-day workshop is designed for artists who want to make large unique painterly prints on paper. 26-30 May: 5-day Collagraph on Cardboard Master-Class Workshop with Sarah Amos Sarah returns to the Print Studio to again conduct her extremely popular collagraph technique. Workshop full, waiting list only. June 28-29: 2 day Japanese paper backing and seaming workshop Jenny will again teach the traditional Japanese methods of chine colle, and seaming works together using traditionally prepared jin shofu (wheatpaste). and introducing… Juy 4-6: Advanced Photogravure Master Class with Silvi Glattauer This 3-part workshop (including 2 Zoom sessions) is designed to help you create a cohesive body of work using advanced photogravure techniques, with a focus on larger-scale prints, multi-plate printing, and incorporating colour through methods like Chine Collé or À la Poupeé. See full details on our website. |
| Copyright © 2024 Jenny Robinson Prints, All rights reserved. Our mailing address is: Jenny Robinson Prints 60-66 Vine Street Darlington, NSW 2008 Australia |
Edition Five @ Broadhurst Gallery Hazelhurst with Danielle Creenaune, Angela Hayson, and Jenny Robinson
Surveying the breadth and depth of contemporary print-practice, Edition Five marks More Than Reproduction (MTR)’s fifth anniversary as an artist-run initiative, aligning with International Women’s Day. Demonstrating the malleability of printmaking in both focused and cross-disciplinary practices, the exhibition features recent work by artists from MTR’s monthly artist profile program. Underpinned by parallels and polarities, experimentation is at the nucleus of the exhibition, with artists navigating diverse print methodologies and outputs. In this exhibition, printmaking exists within the depths of the past and the surface of the present; where the reproducible and unique converge and co-exist.
Artists: Danielle Creenaune, Saskia Haalebos, Angela Hayson, Jacky Jacqueline, Isabella Kennedy, Emilee Robinson, Jenny Robinson, Katika Schultz, Brigitta Summers, and Maria Thaddea.
Opening Party: 6pm – 8pm Friday 8 March 2024
Refreshments provided.
RSVP https://events.humanitix.com/opening-party-edition-five
Exhibition Dates: 8 – 26 March 2024Location: Broadhurst Gallery, Hazelhurst Arts Centre
Meet the Artists & Printmaking Demos: 10AM – 1PM Saturday 9 March
Panel Discussion: 11AM – 12PM Sunday 17 March
Invitation to CBD Gallery
Workshop in Large Scale Drypoint on Cardboard with Jenny Robinson
With Jenny Robinson
Sunday 4th -Thursday 8th February 2024. Cost: AUD $1,350
See Terms and Conditions below.
This workshop focuses on a completely non-toxic, low-cost, low-tech approach to making your own Drypoint plates. You will learn the method developed by Jenny Robinson that will enable you to create intricate images that closely emulate traditional etching in a fraction of the time and without the use of expensive, toxic materials, such as acids and rosins.
Through a series of detailed demonstrations, you will learn how to make your own drypoint plates, explore mark making techniques using a wide range of tools and textures, and develop wiping techniques to create tone and atmosphere. You will be given two cardboard plates to work on to make one larger image which we will then print on the large press.
This workshop is limited to 5 participants to ensure that all artists get the most intensive experience from this masterclass, with time and space to develop a small varied edition of large drypoint prints.
Contact Jenny on Instagram
@jennyrobinsonprintstudio
Or email Jennyrobinsonprints@gmail.com
CBD Gallery: Selected, curated by Andrew Totman
Selected-a curated Photography & Printmaking exhibition
CBD Gallery
72 Erskine Street Sydney1st Feb -3rd March 2024
Selected is an opportunity to see into the practice of 22 contemporary artist exploring and thriving in using the medias of Printmaking and Photography across 52 images on display.
Curated by Andy Totman, the show features Sydney Printmakers members Anthea Boesenberg, Rafael Butron, Ben Rak, Jenny Robinson, Mark Rowden, Gary Shinfield, and Anne Starling.
Photography and printmaking are similar in that they both have the capability to reproduce an image multiple times with very little variation in the resulting print. However, photography came about through the desire to create exact visual replicas of forms and scenes without manual intervention, while printmaking originally aided the production of photographic illustrations in books by providing a stronger, non-light sensitive ink. Despite this, the two can exist harmoniously together, and photography provides a whole spectrum of new techniques for the printmaker to use in their artworks.