How does your work address the theme “To the Edges“?

2020-21 has been a time full of challenges and during periods of isolation there is time to reflect and consider what is of importance. The varying dynamics of dealing with a new “ Covid 19 “ society has inspired this image. Shifting values, tough decisions and being on edge of so many changes. To be so mindful of what was once just everyday living.

Which way to turn, when to touch, not being allowed to touch & show affection all create a vision of shifting planes and turning points.

Aristotle created a triangle of rhetoric, a way to discuss Ethos – ethical issues, Pathos – compassion and emotion, and Logos, the value of logic. My work “Defining the Edge” also reflects on the dynamics of Aristotle’s triangle. 

Can you describe the technical progress you went through to achieve the finished work and what technical challenges you encountered along the way?

My work is a diptych multi block woodblock print created using the traditional techniques of ancient Japanese printing traditions. Registration is of prime importance as there are over 30 blocks carved to create the illusion of transparent overlaps. There are no overlaps in this work as colours are mixed to create the illusion of transparency.

Working an image across 2 individual prints always creates challenges in paper stretch from so much baren work. All the blocks are hand carved in Russian Birch and hand printed on quality Japanese Kozo.

What do you see as the role of Sydney Printmakers for the next 60 years?

I would hope Sydney Printmakers remains a committed group of artists celebrating the dynamics of both traditional print media and new technologies who create a platform for sharing their individual creative talents and also to be challenged as a group to remain effective in the coming years.

How do you see the role of printmaking, in general, contributing to the conversation about contemporary art practice?

I have no doubt that printmaking will continue to be the medium of choice for many contemporary artists. With the success of many international conferences focused on printmaking it is no doubt a popular medium universally.

The greater challenge is to preserve the teaching of traditional practise in our art institutions and for those with the knowledge to be willing to share. We collectively have to continue to preserve what we now have for future generations in our shared knowledge of the print medium.