Congratulations to Nathalie Hartog-Gautier, Roslyn Kean, Carolyn Mackenzie Craig and Gary Shinfield, who have been selected as finalists for this prize.
Vibrations in Australian Drawing Exhibition
Vibrations in Australian Drawing is an exhibition demonstrating the essence of the practice and the importance of drawing underlying a range of disciplines, and will exhibit at the Macquarie University Art Gallery until 13 September 2023. Gary Shinfield and Nathalie Hartog Gautier are in this exhibition. This exhibition is presented in collaboration with theCreative Documentary Research Centre at Macquarie University and the Cowra Regional Art Gallery. We are honoured to have Professor Tom Murray, Director of the Creative Documentary Research Centre at Macquarie University, officially open the exhibition. Curators: Rhonda Davis, Kon Gouriotis, Leonard Janiszewksi, Tom Murray Where Macquarie University Art Gallery, The Chancellery, 19 Eastern Road, Macquarie University Download the campus map (reference: H20) Any questions about the event, please email us at events@mq.edu.au. |
Sydney Printmakers @ Sydney Contemporary
Laura Stark, Carolyn Craig, Lea Kannar-Lichtenberger, Andy Totman, Evan Pank, Tina Barahanos, Angela Hayson, Max Gosling, Nathalie Hartog Gautier, and Esther Neate are presenting work at Booth CO2. They’d love to see you there!
Alice Prize
Congratulations to Lea Kannar Lichtenberger and Nathalie Hartog Gautier who have both been selected for the prestigious Alice Prize.
Print Council of Australia: Bookish
An exhibition of contemporary Artists’ Books by Print Council of Australia Members.
Our members Helen Mueller, Helen Best, Barbara Davidson, Susan Baran, and Nathalie Hartog-Gautier have books in this show. You can see the show online here.
Finalists Announced in Fremantle Print Awards
Nathalie Hartog-Gautier: Looking for Paradise @
On display at the Queen Victoria Museum, Inveresk from 13 March to 19 May 2021.
Looking for Paradise looks at past and present policies that different governments instigated to help or deny entry to people in need of a ‘Safe Heaven’. This project is a reminder of Australia’s responsibility as a first signatory of the United Nation Human Rights Charter.
Over 12 handmade and bound books, Nathalie Hartog-Gautier brings the stories of the migrants, often relegated to the margin of society, to the centre of the page. In parallel to the fate of many refugees, drawings of the Australian bush and botanical specimens are referencing the First Nation people often equally displaced. The books are presented in a barbwire cage alluding to the restrictive movements imposed on refugees.
By gathering designs and motifs across the 12 books that compile Gautier-Hartog’s work, production company Broken Yellow were able to construct small worlds that explore persistent themes in the work; the notion of Australia as paradise, the pursuit of this paradise, and the inexplicable impact Australia’s immigration policies throughout the years have had on those undertaking this pursuit. The reading of The Universal Declaration of Human Rights, is by real people seeking asylum, and made with the assistance of the Asylum Seekers Centre. Their voices humanise the story told by the imagery, further highlighting Australia’s responsibility as a first signatory of the United Nations Human Rights Charter.
This project has also been done in collaboration with Marta Sengers for developing the online presence of the 12 books.
Looking for Paradise is supported by the NSW Government through Create NSW, NAVA Benevolent Fund and Members of the Asylum Seekers Centre community.
Nathalie Hartog – Gautier: Paper and Place, Gosford Regional Gallery
25 May – 7 July 2019 Paper and Place Gosford Regional Gallery
For centuries paper has been used as a medium for keeping record and holding memory. In this exhibition contemporary artists Nathalie Hartog-Gautier and Beverly Smith each use paper to respond to the unique character of significant places.
Nathalie Hartog-Gautier’s work focuses on the concept of the voyage, its transformations, attachments and associations. Her large scale paper installations for this exhibition represent her reflections on the environment and history of Hill End, the Blue Mountains and the Central Coast.
Beverly Smith uses natural dyes from Indigenous trees, earth pigments of ochre, sand, earth and binders on paper to tell visual stories connected to her Aboriginal identity, culture and Country. With rich personal iconography she presents a series of works on paper that explore sites of personal and cultural significance in the Brewarrina area.
Nathalie Hartog-Gautier, Colours of the landscape, natural pigments on hand made paper.