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Burnie Print Prize: Helen Mueller

April 16, 2021 by Anthea Boesenberg Leave a Comment

 

 

vanishing, 2019

9 layered woodblock prints in three panels

83 x195 cm framed

Mangrove ecosystems are critical to our shorelines. They form a buffer between land and water, providing protection from erosion and filtering runoff. They are primary sea life nurseries and host a myriad of creatures essential to the health of shorelines. They are highly efficient carbon sinks. Chronic pressures on these environments from land clearing, the use of herbicides and pesticides, global warming and associated drought and severe storms are endangering them with potentially catastrophic consequences for the health of land and sea and ultimately humans.

I spent time working with a citizens’ science project that monitors the mangrove forests of the Daintree in far North Queensland. I had the privilege of venturing into a terrain where humans do not routinely go and to viscerally experience an environment of gritty beauty and intricate interrelationships. This work is one of a series of works I made in response to the mystery, majesty and fragility of these forests. The damage caused to this environment is ongoing and palpable. I wanted to capture both the sense of threat and the beautiful fragility that I witnessed.

 

Filed Under: Exhibitions, Finalists, Print Prizes Tagged With: Burnie Print Prize, citizens science project., finalist, Helen Mueller, Mangroves, Vanishing, woodblock print

Burnie Print Prize: Rafael Butron

April 14, 2021 by Anthea Boesenberg Leave a Comment

                         

Impact.     Rafael Butron
Wood Print over Copperplate engraving on Hahnemuhle paper
72.5 cm x 206.5 cm

“Impact” explores personal emotive interpretations of the landscape affected by climate change. Within this work the impact of climate creates an awareness in which humanity must start noticing changes like fire storms resulting in a land ravaged by extremes. The cross in the center draws attention to the damage that occurs on the land. Many of my recent works examine these extreme weather events. The depiction of the landscape affected by changes to our climate draw on an expressive approach as the images rely on memory, experiences and recent events.

 

Filed Under: Exhibitions, Finalists, Print Prizes Tagged With: Burnie Print Prize, climate change, copperplate engraving, extreme weather events, finalist, Impact, Rafael Butron, woodcut

Burnie Print Prize: Laura Stark

April 14, 2021 by Anthea Boesenberg Leave a Comment

Laura Stark, Pathways VI 6th State, collagraph, blind embossing, collage.

 

Pathways VI 6th State is the last image of this series of prints originally inspired by the markings left by larvae on scribbly gums. It refers to the ancient pathways or dreamtime tracks of the  aborigines across the continent, the breadth of our landscape as seen from the air, and also the internal and external pathways or meanderings which we follow in the path of life.

In this series my procedure was to change, manipulate or reduce the plate from which they were printed in a number of different ways. This last version, a collage of print remnants,  encompasses the original theme but the pathways have become more tenuous, even fractured, perhaps an indication of uncertain times.

Filed Under: Exhibitions, Finalists, Print Prizes Tagged With: Burnie Print Prize, collage, collagraph, embossing, finalist, Laura Stark, Pathways

Burnie Print Prize: Neilton Clarke

April 14, 2021 by Anthea Boesenberg 1 Comment


Here’s the next Sydney Printmaker who is a finalist in the Burnie Print Prize.

Ring Reader: Hossawa to the Sea

(Unique-state woodblock & copperplate relief print, collage & embossing, 2020).

Hossawa is a Hinohara-area waterfall on the mountainous Tokyo-Yamanashi border, its waters feeding Akigawa River, in turn Tama River, Tokyo Bay, and finally the sea. The experience of the locale feeds into and informs my studio activity, having spent two-plus decades living there.
Countless hours spent exploring its cedar & pine-clad inclines on scooter and on foot make for indelible impressions, its maple, camelia, azalea & hydrangea groves amplifying the marked seasonal changes with bursts of colour.
The work’s bell-like ovoid forms have been hand-printed directly from prepared cedar log-end offcuts sourced from mountainside outposts. Their pronounced granular striations, carrying a record of the summer-winter growth alternations over many years, make for a kind of logbook in more senses than one.
Seismic-prone, being awoken by tremors & shakes in the early hours is part of the fabric of the everyday there. The collage-aesthetic employed here, with its capacity for fissure, juxtaposition, and also containment, lends itself well to addressing such kinds of dislocation.

Filed Under: Exhibitions, Finalists, Print Prizes Tagged With: Burnie Print Prize, Cedar log-end off cuts, collage, copperplate, embossing, Hossawa, Neilson Clarke, relief, woodblock

Burnie Print Prize: Gary Shinfield

April 12, 2021 by Anthea Boesenberg Leave a Comment

 

In 2020 fires raged through the Blue Mountains of NSW. The triptych Fire, smoke and ash was made in response to these events. In this relief print, iconic landforms – plateau, escarpment and valley – are subsumed and transformed by the effects of fire.

 

Landforms were created using the woodcut medium. The atmospheric effects of fire, smoke and ash were overprinted using pieces of etched and cut lino. A series of three prints was made.

 

Title: Fire, smoke and ash triptych

Medium: Relief print on three sheets of Rives BFK paper, 1/3series

Size: 99 x 186 cm

Year: 2020

 

 

Filed Under: Exhibitions, Finalists, Print Prizes Tagged With: Blue Mountains, escarpment and valley., etched lino, Fire Smoke and Ash, Gary Shinfield, linocut Burnie Print Prize 2021, plateau, triptych, woodcut

Burnie Print Prize: Anna Russell

April 11, 2021 by Anthea Boesenberg 1 Comment

Most of us can’t get down to Burnie to see the works in the Print Prize this time. I will be publishing  as many of the successful Sydney Printmakers works as I can here, together with the artists statements where available.

                                                                                                                                                                                    Anna Russell, Voyagers, woodblock, stencil, collage, 55×58 USP 2019

Voyagers

This is a whale’s eye view of voyaging from the harshness of the Antarctic to the warmth of calm subtropical waters, the land appearing from time to time on the horizon.  The voyage depends on successful avoidance of the land in an ocean of distracting sounds.

Tensions in this work suggest navigation into the unknown, facing risk, bracing for the unexpected. Safe harbours are hard to find. We’ve made progress internationally in saving whales from slaughter but they still live with hazards we have created.

Meanwhile we have our own voyage into the unknown as the climate changes. Can our work with the whales show us how to act collectively, to make order and balance out of the chaos of our current consuming?

 

Filed Under: Print Prizes Tagged With: Anna Russell, Burnie Print Prize, collage, stencil, woodblock print

Burnie Print Prize 2021

February 19, 2021 by Anthea Boesenberg Leave a Comment

Congratulations to the members of Sydney Printmakers who have been selected for the Burnie Print Prize:

Rafael Butron, Seong Cho, Neilton Clarke, Danielle Creenaune, Salvatore Gerardi, Helen Mueller, Evan Pank, Anna Russell, Gary Shinfield, Laura Stark, and Starling, and Anthea Boesenberg.

Filed Under: Finalists, Print Prizes Tagged With: 2021, Burnie Print Prize, selected members of Sydney Printmakers, Tasmania

Swan Hill Print and Drawing Award Announcement

September 4, 2020 by Anthea Boesenberg Leave a Comment

 

Congratulations to Carolyn Craig for her success in this award.

Its a beautiful exhibition. Here’s a link to the online catalogue.  And here’s a virtual tour.

Filed Under: Exhibitions, Finalists, Online Exhibitions, Print Prizes Tagged With: Carolyn Craig, online catalogue, Swan Hill Print and Drawing Award, Swan Hill Regional Gallery

Swan Hill 2020 Print and Drawing Award

March 16, 2020 by Anthea Boesenberg Leave a Comment

Print and Drawing Acquisitive Awards

Celebrating printmaking and drawing, this long running prize will see some of the finest contemporary works entered from across Australia.

The mission of the Swan Hill Print and Drawing Awards is to promote excellence in Australian prints and drawings, present an exhibition of contemporary works and continue to build a high-quality collection for Swan Hill Regional Art Gallery.

How to enter

During the application process you will need to:

  • Upload a high resolution image of your artwork (file types accepted jpg, tiff. Max upload 5 MB)
  • Supply as statement about your artwork (max 50 words)
  • Pay a $45 non-refundable handling fee

Enter now!

Important dates

6 January 2020 Entry forms open online
Midnight 21 June 2020 Entries close
17 July 2020 Announcement of finalists
4 September 2020 Date of launch
4 September 2020 Announcement of winners

For more information contact the gallery on (03) 5036 2430.

 

Filed Under: Acquisitions, Call for Entries, Print Prizes Tagged With: Acquisitive award, contemporary, drawing, printmaking, Swan Hill, Swan Hill 2020 Print and Drawing Awards, Swan Hill Regional Art Gallery

On Paper 2020

November 17, 2019 by Anthea Boesenberg Leave a Comment

 
 
 
 
 

ON PAPER contest 2020
6th ANNUAL INTERNATIONAL PRINTMAKING CONTEST

1ST PRIZE 1000€
2ND PRIZE 300€
DEADLINE April 1st 2020
FEE 26€ (16€ early bird discount:
February 1st  2020)
The SHORTLISTED artists will exhibit in 
Tinta Invisible, (Barcelona, Spain) in July 2020

The contest is open to anyone. Application is online at www.onpapercontest.com

Rules available in ENGLISH, CATALAN and SPANISH

Filed Under: Call for Entries, Exhibitions, Print Prizes Tagged With: 2020, 6th Annual International Printmaking Contest, Barcelona, call for entries, On Paper, Spain

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