
ROSLYN KEAN Midare- Disorde, 2023 Complex Mokuhanga print
Very exciting news, this hand printed woodblock print by Roz Kean will find a new home in the Prints and Drawings Study Room at the British Museum, London.
Promotion of Australian printmaking and members work.


Applications close 7 April
What the Fellowship Offers
One of the primary outcomes of the fellowship is the creation of a limited edition or unique state artist’s book. The fellowship embraces a broad understanding of the artist’s book, encouraging projects that experiment with the form and expand the possibilities of book-based art practice. Artists may approach this through printmaking, sculptural forms, hybrid media, installation, or other innovative interpretations.
Read more about the fellowship and what past applicants have done
Download the full applicant guide


Congratulations to Sydney Printmaker member Anne Starling for being selected a finalist to the Muswellbrook Art Prize 2026. Exhibition dates 19 March-23 May
other finalists selected and their work https://www.artgalleria.com/view-room/42264


you are invited to
Sydney Printmakers exhibition
UNCERTAIN SANCTUARY
to be opened 2pm Saturday 7th March
by Katherine Roberts Senior Curator, Exhbitions & Collections Manly Art Gallery and Museum
with Artist Talks at 1pm
at the Garden Gallery, enter via Reception Royal Botanical Gardens Mrs Macquaries Road
4-15th March 2026, 10am-4pm daily
‘UNCERTAIN SANCTUARY’ Contemplation, reflection and protection.
An exhibition of recent works linking the artist’s studio and the making process with gardens and their nurture.
The concept of sanctuary is not just about physical space but also an inner refuge where ideas take root and flourish. Gardens, with their cycles of growth and decay, mirror the creative process itself, where inspiration arises from contemplation and perseverance. Similarly, the studio becomes a sacred ground, a sanctuary where the artist can retreat, reflect, and transform thoughts into tangible forms. This interplay between the natural world and the creative spirit is a testament to the enduring power of solitude and the focus on our artistic adventures.
The artist’s studio parallels Virginia Wolf’s concept of ‘A Room of One’s Own’ and serves as a sanctuary akin to a garden, awaiting to be nurtured with profound thought and creativity. The desire to isolate to concentrate and muse on how to make something that expresses a reality without necessarily being realist in form, is an ongoing imaginative project. Close observation of nature through drawing, photography, printmaking and painting is where the landscape is literally captured and taken back to the studio/sanctuary often to be mulled over and refined or otherwise referred to obliquely with unusual materials, methods and interpretations of the selected environment.
Even if the studio adopts a more industrial and factory-like appearance, such as a print workshop, it frequently includes a reserved and secluded area within its walls or a park or garden nearby, for contemplation and research. The intersecting of print media with the nuances of landscape and our natural world has attracted some key Australian artists such as Janet Laurence, Simryn Gill and Fiona Hall. They all use some form of print media to create their works. From nature printing, projections, sculpture and videos as well as works on paper. Print media allows for the layering, folding and pressing of ideas onto paper and other large-scale materials to create new and imaginative ways to reflect on our natural world.
These exhibited works are by members of the Sydney Printmakers Inc. who have responded to the idea of sanctuary as a space to think, dream and make, and the many and various methods of print-based practise that exists in contemporary art in 2026.
Many print media artists across Australia are members of the Print Council of Australia. The PCA celebrates its 60th year in 2026 as the leading advocate for print media, nationally. There is a strong connection between the Melbourne based PCA and the Sydney Printmakers who have already celebrated their 60thanniversary and have been working collaboratively since the 1960s. This exhibition celebrates the connections between these two organisations and the longevity of both.
Therese Kenyon


Congratulations to Sydney Printmaker member Nathalie Gautier-Hartog on being selected finalist to the Alice Prize 2026, with her work Margaret River.
The Alice Prize is an acquisitive national contemporary prize that celebrates artists working in any medium or theme from across the nation.
A biennial prize at Araluen Cultural Precint, Alice Springs, March 27 to June 8 2026