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Stopping Time: Material Prints 3000BCE to Now

February 15, 2020 by Anthea Boesenberg Leave a Comment

 

 

Material Prints 3000 BCE to Now at Newcastle Art Gallery.

29 February – 10 May 2020
14 days from now
10am to 5pm Tuesday to Sunday, 7 days during school holidays
 

STOPPING TIME: Material Prints 3000 BCE to Now expands on the definition of printmaking by bringing works of art together in thematic clusters, regardless of their period or place of production, collapsing the temporal distances between them and emphasising the dual power of material prints to embed or carry time and to stop time as we engage with them.

The exhibition extends well beyond the usual point of origin for printmaking in the fifteenth century when Johannes Gutenberg (1400-1468) invented the movable type printing press, to the perceived decline of printed imagery with the development of digital photography at the end of the twentieth century.

From ancient Mesopotamian images pressed in clay from cylinder seals to contemporary 3-D printing this exhibition positions traditional prints as part of a much larger constellation of printmaking. The timeless encounter with material prints can be described as “aesthetic time” (Keith Moxey Visual Time: The Image in History) but when artists attempt the synthetic transfer of ideas into matter and image it is more a process of collective cultural imagining and technological revelation rather than aestheticism.

Featuring key works of art from the Newcastle Art Gallery collection, STOPPING TIME also includes works of art from the Griffith University Art Museum along with several private collections and recent works of art by contemporary artists including Ali Bezer, Blair Coffey, Ryan Presley and Pamela See.

 NAG-1978001f-1-COBURN_small.jpg

John COBURN
The 6th Day: God created Man 1977
screenprint on paper, edition 34/50
52.0 x 72.0cm
Purchased with assistance from the Visual Arts Board, Australia Council 1978
Newcastle Art Gallery collection
Courtesy the artist’s estate

 

Supported by

Griffith University Art Museum Logo
Gordon Darling Foundation Logo
 

Filed Under: Exhibitions, Of interest to members. Tagged With: definitions of printmaking, Material Prints, Newcastle Art Gallery collection, Stopping Time, thematic clusters

Vale Bernhardine Mueller by Karen Ball and Denise Scholz Wulfing

February 13, 2020 by Anthea Boesenberg 6 Comments

Vale Bernhardine Mueller

To live is so startling it leaves little time for anything else.

Emily Dickinson (1830-1886)

Bernhardine Mueller, who passed away in December 2019, is fondly remembered by the printmaking community as an inspirational artist, generous teacher, colleague and dear friend. She had the ability to inspire and nurture creativity in others while pursuing her own artistic journey. Each of her students received individual attention and art colleagues knew she was always available as a friendly, supportive listener. Bernhardine was a friend to so many people in numerous printmaking areas.

Bernhardine established the printmaking studio at Ku Ring Gai Art Centre and Lane Cove Centre House and taught at both for many years. As one of her students at KAC in 1990, I(Karen)was immediately enveloped in the warm, friendly atmosphere she created. Many of those students became lifelong friends of Bernhardine. She was very involved in Lane Cove Art Society winning many awards from there and other competitions for her prints, miniatures and artist books.

 Bernhardine also held numerous workshops throughout NSW and Queensland, in particular  Gunnedah and Mitchell School of Arts, Bathurst. These workshops introduced students to printmaking and became the foundation for burgeoning art careers. For many years Bernhardine enjoyed a creative partnership with teachers and secondary school students  in the art studios at Masada College, one of whom was chosen for HSC Art Express exhibition.

As a long term member of Sydney Printmakers, Bernhardine instigated and participated in many exhibitions. She always welcomed and supported new members. Similarly, Bernhardine was a long time, loved member of The Australian Society of Miniature Art. Her dedication to printmaking endured even as she became increasingly unwell. Bernhardine curated an exhibition at Orange Regional Gallery in 2018 with a group of fellow printmaker colleagues connected by their use of Richard Swinburne’s etching presses.  She continued to show her work in Sydney Printmakers and other group shows into 2019. 

Bernhardine was a printmakers’ printmaker. Experimenting with the technique, over printing with multiple blocks, reprinting the same plate many times in different colours, collaging, cropping, hand-colouring, for ever on the search for the best result for that particular print. Her wit, humour and purposeful use of mixed metaphors for dramatic effect were very funny.  This humour and love of words came out in her miniature etchings, playing on words, sayings and gently poking fun at people, society and art.

Bernhardine shared a love of Australian flora and fauna with me (Denise). This constant source of inspiration, in particular a love of birds, meant we exchanged sightings on Brush Turkey behaviour, Currawong antics, Magpie carols and the amazing character of the White Winged Choughs at her beloved son Michael’s place in the Capertee Valley.

It was an honour to know Bernhardine. Her life was full and creative but she always had time for her many friends. She seemed to know when someone needed encouragement or some words of wisdom.  We will miss her but her light will shine on through all those she inspired.

Filed Under: Of interest to members., Vale Tagged With: Australian Society of Miniature Art, Bernhardine Mueller, Denise Should Wulfing, inspirational artist and teacher, Karen Ball, Vale

Ravenswood Australian Women’s Art Prize

February 13, 2020 by Anthea Boesenberg Leave a Comment

29 January 2020

 

RAVENSWOOD AUSTRALIAN WOMEN’S ART PRIZE – WIN $1000 ART SUPPLIES GIFT VOUCHER FOR EARLY SUBMISSION

 

UPDATE: All emerging and established female artists who submit their entries into the Ravenswood Australian Women’s Art Prize by
1 March go in the draw to win a $1000 art supplies gift voucher.* 

 

About the Ravenswood Australian Women’s Art Prize
The Ravenswood Australian Women’s Art Prize is the highest value art prize for women, with a $35,000 Professional Artist Prize, an Emerging Artist Prize of $5,000 and the new Indigenous Emerging Artist Prize of $5,000.

 

Female artists residing in Australia are eligible to enter the Art Prize. All media is accepted and there is no theme – artworks must best reflect the intentions of the artist’s practice.

 

Entries close at 12pm (EST) on Wednesday 18 March 2020.

 

Winners of the 2020 Ravenswood Australian Women’s Art Prize will be announced at the Opening Night on Friday 29 May 2020. The Exhibition of Finalists will be open from Saturday 30 May to Sunday 14 June 2020, 11am to 4pm.

 

For more information on the Ravenswood Australian Women’s Art Prize, visit ravenswoodartprize.com.au or email artprize@ravenswood.nsw.edu.au

 

*Winner of the $1000 art supplies gift voucher will be drawn at 12pm (EST) on 2 March, 2020. Winner will be notified via email. Terms and conditions apply.

 

Filed Under: Call for Entries Tagged With: all media accepted, Australian Womens Art Prize, call for entries, Ravenswood

Let all the birds fly: the Hybrid Print

February 8, 2020 by Anthea Boesenberg Leave a Comment

WHAT:

Let all the birds fly: the hybrid print. An exhibition of eleven interstate artists whose work is print based but who have challenged and expanded our understanding of the print in a contemporary context. Printmaking is like a language that continually reinvents itself with artists investigating new meanings through materiality and making.
Questioning long-held traditions of printmaking, guest curators and artists Therese Kenyon and Patricia Wilson-Adams invited nine artists to join them in the exhibition Let all the birds fly: the hybrid print. Here the artists explore the very nature of printmaking and seek to push the boundaries of the medium and fly free from conventions.

Alison Alder (ACT), Jan Davis (NSW), Jan Hogan (Tas), Therese Kenyon (NSW) Ben Rak (NSW), Olga Sankey (SA), Heather Shimmen (Vic), Glen Skien (Qld), Patricia Wilson Adams (NSW), Sandra Winkworth (NSW), Linda Swinfield (NSW)

WHERE: Maitland Regional Art Gallery, 230 High St Maitland, NSW 2320.
mrag.org.au 02 4934 9859
Open Tues – Sunday 10am-5pm.

WHEN: Open from 8 February – 4 May 2020. Launch of Autumn Program 29 Feb. 3pm.

 

Filed Under: Exhibitions Tagged With: Ben Rak, Hybrid Prints, Maitland, Maitland Regional Art Gallery

Call for Entries: 2020 National Works on Paper

February 5, 2020 by Anthea Boesenberg Leave a Comment

2020 National Works on Paper
An MPRG exhibitionThis year as part of our 50th anniversary celebrations, MPRG is holding our prestigious biennial National Works on Paper (NWOP) acquisitive exhibition.
With a long and rich history, NWOP attracts leading contemporary artists from across Australia working in the fields of drawing, printmaking, painting, digital prints and paper sculpture.

NWOP supports and promotes contemporary Australian artists working on or with paper with up to $50,000 acquisitions and awards (the winner of the Major Acquisitive Award receives $15,000).

Recent winners of the National Works on Paper include James Tylor and Laura Wills, Daniel O’Shane, Jess Johnson, Laith McGregor, Richard Lewer, Danie Mellor, Gareth Sansom, Paul Boston, Lisa Roet and eX de Medici.  

Up to $50,000 acquisitions and awards – The winner of the Major Acquisitive Award receives $15,000 (includes the purchase price).

Entries close:             19 April 2020

HOW TO ENTER

All entries must be submitted online. No hard copy entries will be accepted.

Artists can only submit one work. An entry will consist of:

– a completed entry form
– supporting material: digital image, artist’s statement, CV
– $30 non-refundable administration fee

JUDGING PANEL

The judging panel for the 2020 National Works on Paper is:

Louise Tegart, Director, Art Gallery of Ballarat
Gina Mobayed, Director, Goulburn Regional Art Gallery
Danny Lacy, Senior Curator, MPRG 

IMPORTANT DATES

Entries close: 5pm,Sunday 19 April

Finalists announced: Tuesday 12 May

Official opening and announcement of award and acquisitions:Thursday 24 September

Exhibition closes: Sunday 22 November

ENTER NOW
 

Filed Under: Call for Entries Tagged With: 2020 National Works on Paper, Major Acquisitive Award, Mornington Peninsula, MPRG

priNT

February 2, 2020 by Anthea Boesenberg Leave a Comment

Here’s an opportunity to exhibit a body of work or a large print in the Northern Territory. There’s not much time to enter your work, however.

From Mats Unden:

You are invited to participate in priNT2020 – a printmaking exhibition at Northern Centre for Contemporary Art in Darwin 13th – 28th March 2020.

The aim of the show is to highlight the important role printmaking techniques play in many visual artists practices. The aim is to create a nationally (and internationally) recognised annual print exhibition, while generating support towards establishing an open access print workshop in the Top End.

We are looking for big prints, suites, or bodies of work, as well as artist books and other ‘print’ works. Interdisciplinary and experimental works are encouraged to showcase the variety and diversity of the art-form, as long as the core technique is printmaking.

NCCA takes no commission on sales, but please consider donating a portion of the sale towards the aims and goals of priNT.

How to enter:

  • Send an email requesting a copy of the entry form to Mats(see address below). You will need to email the completed form back to Mats before March 1st.
  • Please make sure your works are at NCCA in Parap by 6th March, and a copy of the form is enclosed.
  • There is no entry fee, but all freight and insurance costs are covered by you.

 Works can be framed or unframed. Unframed works will be pinned or hanged using magnets. Unfortunately at this point there are no funds for freight or artist fees. If your work is for sale NCCA will direct any enquires to you, and no commission will be taken.

Postal Address:

NCCA PO Box 82 Parap NT 0840 or NCCA Vimy Lane Parap NT 0820

Please contact Mats for further information on mats.unden@hotmail.com.

 

 

Filed Under: Call for Entries, Call for Exhibitors, Exhibitions Tagged With: Darwin, diversity, Experimental printmaking, Large prints, Mats Unden, Northern Territory, Parap, print, printmaking in the Northern Territory, Suites

Three: Sandi Rigby Exhibition at Art Gallery on Darling.

January 15, 2020 by Anthea Boesenberg Leave a Comment

Filed Under: Exhibitions Tagged With: Art Gallery on Darling, Balmain, Graham Byrne, Jan Spencef, Sandi Rigby

Call for Papers: 2020 Nara Mokuhanga Conference

December 6, 2019 by Anthea Boesenberg Leave a Comment

SUMI-FUSION:

Mokuhanga & Nara

墨-フュージョン 木版画と奈良

We are pleased to announce the 4th International Mokuhanga Conference, IMC2020 NARA, which will take place from November 18 to 22, 2020, in Nara, Japan, at the Nara Kasugano International Forum IRAKA.

Still renowned today as a center of production for the finest sumi ink, Nara is an ideal site for IMC2020. This fourth convening of the conference, titled Sumi-Fusion, will celebrate the versatility of sumi in woodblock printing, both historically and in contemporary applications across Japan and abroad. Additionally, it will explore the presence of black, and how it relates to 

Submissions for proposals for academic papers / illustrated talks* are now open. 

We are accepting proposals for both academic papers and illustrated talks. Please familiarise yourself with the information and guidelines below before starting the submission process. The deadline for submission of proposals is January 31, 2020.

Results will be published on March 15, 2020, and applicants will be notified. Deadline for submission of the full paper is September 18, 2020.

Note: Once a submission has been accepted, presenters will be required to pay the conference fee and register in order to present their paper or illustrated talk at the conference.

Checklist for Paper / Illustrated Talk Proposals:

  • Papers/Talks* should connect to one of the listed topics suggested by the umbrella theme Sumi-Fusion, and its sub-themes Histories, Aesthetics, Intersections, and Futures.  For full details, see Nara2020 Theme.
  • A proposal for a paper/illustrated talk in English or Japanese, limited to 3000 characters (300 words).
  • Up to five images (if relevant) in support of your proposal.
  • Applicant’s biography limited to 1000 characters (100 words).
  • Applicant’s passport-size portrait, approximately 1MB jpeg
  • The oral presentation of a paper/illustrated talk will be limited to a maximum of 20 minutes. Extensions will not be allowed.
  • The full paper/talk must be approximately 2000 words and must be submitted by September 18, 2020.
  • Non-compliance with the conference guidelines will result in rejection of the proposal/paper/illustrated talk.
  • All paper submissions will be reviewed by a selection committee and by independent reviewers. 

* An illustrated talk can be about an artist’s work as long as it addresses how their practise links to one of the suggested conference themes, or adds to the field of mokuhanga today. An academic paper should also address one of the suggested themes, and may include reference to (rather than be mainly about) an artist’s own work, discussing it within the broader framework of mokuhanga and contemporary art.

Submit Your Proposal Here

Before submitting a proposal please review the checklist above, then fill in the form carefully. Please click SUBMIT HERE to access the online form.     Note:        

  • to fill in the form, you need to sign in with gmail
  • the form cannot be edited after submitting
  • applicants may only submit once
  • if you do not have a gmail account or have any trouble with the submission, please contact: submissions@mokuhanga.org

Filed Under: Call for Papers Tagged With: 4th International, call for papers, Conference, Mokuhanga, Nara, sumi

Water: Call for Artists

December 6, 2019 by Anthea Boesenberg 3 Comments

 

Call for Artists
International Collaboration and Exhibitions

Water
Works on Paper

Water is a collaboration between Artery Co-operative, Melbourne (Artery) and Scuola Internazionale di Grafica Venice, Italy (Scuola di Grafica).

There will be two exhibitions in 2020. The project will explore water in all its complexity through works on paper. All works submitted will be exhibited at Artery’s ‘Project Space’ in Northcote, Melbourne. A selection of works will also be exhibited at the Scuola di Grafica in Venice. A portion of the funds raised from the exhibitions will be donated to create opportunities for artists through Artery and the Scuola di Grafica.

To express your interest in participating, please complete the registration form, HERE, by no later than 20 December 2019.
Exhibition guidelines and conditions can be found HERE.

  
   acoop.com.au                 scuolagrafica.it/en

Image: Helen Kocis Edwards, Skater girl, bilby and the winged lion, drypoint etching on giclee print

Filed Under: Call for Entries, Call for Exhibitors Tagged With: Artery Cooperative, Call for Artists, international Collaboration and Exhibition, Melbourne, Scuola Internazionale di Grafica, Venice, Water

Acquisition by Maitland Gallery

November 30, 2019 by Anthea Boesenberg Leave a Comment

River Crossing triptych
282 x 216 cm
unique state print on  6 sheets of Chinese paper using waterless lithography and woodcut
2009
a collaboration by Geraldine Berkemier and Gary Shinfield
installation in Maitland Regional Art Gallery 2009
 
This work was recently acquired by Maitland Gallery. It is the key work from the exhibition River Crossing 2009, about the Hunter River, which was exhibited in Maitland Gallery.

Filed Under: Acquisitions, Collaborations Tagged With: acquisition, collaboration, Gary Shinfield, Geraldine Berkemier, Hunter River, Maitland Regional Gallery, River Crossing 2009

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