Sydney Printmakers

Promotion of Australian printmaking and members work.

  • About Us
  • Exhibitions
  • Artists
  • News Blog
  • Contact Us

Stopping Time: Material Prints 3000BCE to Now

February 15, 2020 by Anthea Boesenberg Leave a Comment

 

 

Material Prints 3000 BCE to Now at Newcastle Art Gallery.

29 February – 10 May 2020
14 days from now
10am to 5pm Tuesday to Sunday, 7 days during school holidays
 

STOPPING TIME: Material Prints 3000 BCE to Now expands on the definition of printmaking by bringing works of art together in thematic clusters, regardless of their period or place of production, collapsing the temporal distances between them and emphasising the dual power of material prints to embed or carry time and to stop time as we engage with them.

The exhibition extends well beyond the usual point of origin for printmaking in the fifteenth century when Johannes Gutenberg (1400-1468) invented the movable type printing press, to the perceived decline of printed imagery with the development of digital photography at the end of the twentieth century.

From ancient Mesopotamian images pressed in clay from cylinder seals to contemporary 3-D printing this exhibition positions traditional prints as part of a much larger constellation of printmaking. The timeless encounter with material prints can be described as “aesthetic time” (Keith Moxey Visual Time: The Image in History) but when artists attempt the synthetic transfer of ideas into matter and image it is more a process of collective cultural imagining and technological revelation rather than aestheticism.

Featuring key works of art from the Newcastle Art Gallery collection, STOPPING TIME also includes works of art from the Griffith University Art Museum along with several private collections and recent works of art by contemporary artists including Ali Bezer, Blair Coffey, Ryan Presley and Pamela See.

 NAG-1978001f-1-COBURN_small.jpg

John COBURN
The 6th Day: God created Man 1977
screenprint on paper, edition 34/50
52.0 x 72.0cm
Purchased with assistance from the Visual Arts Board, Australia Council 1978
Newcastle Art Gallery collection
Courtesy the artist’s estate

 

Supported by

Griffith University Art Museum Logo
Gordon Darling Foundation Logo
 

Share this:

  • Share
  • Click to email this to a friend (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on LinkedIn (Opens in new window)
  • Click to print (Opens in new window)

Filed Under: Exhibitions, Of interest to members. Tagged With: definitions of printmaking, Material Prints, Newcastle Art Gallery collection, Stopping Time, thematic clusters

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 602 other subscribers.

Recent Posts

  • Southern Printmakers Exhibition @ the Milk Factory Gallery, Bowral.
  • New Exhibitions including members: Susan Baran
  • Print Council of Australia’s Biennial Print Exchange
  • Participate in Compact Prints 2022 with Umbrella Studio
  • International Mini Print Cantabria 2022 Call for Entries

Recent Comments

  • Harry Martinez Diaz on International Print Biennale Call for Entries.
  • Anthea Boesenberg on International Print Biennale Call for Entries.
  • Harry Martinez Diaz on International Print Biennale Call for Entries.
  • Anthea Boesenberg on OMNIA Art Prize 2022
  • Fiona Gladigau on OMNIA Art Prize 2022

Archives

Categories

Copyright © 2022 Sydney Printmakers :: Promotion of Australian printmaking and members work.

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.