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Promotion of Australian printmaking and members work.

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| CONTEMPLATING GRACE |
| 3 – 30 September 2022 |
| You are warmly invited to join us for the opening event Saturday 3 September 2 – 4pm |
| CONTEMPLATING GRACE is a creative response by Sydney Printmakers to the art and life of the iconic Australian artist, Grace Cossington Smith. During its sixty years, Sydney Printmakers has encouraged exploration of innovative and traditional techniques by its members which is analogous with the forward thinking Grace Cossington Smith who is celebrated in this exhibition. |
| Artists included: Karen Ball, Tina Barahanos, Susan Baran, Ruth Burgess, Seong Cho, Neilton Clarke, Carolyn Craig, Danielle Creenaune, Barbara Davidson, Olwen Evans Wilson, Salvatore Gerardi, Rew Hanks, Nathalie Hartog-Gautier, Angela Hayson, Roslyn Kean, Carmen Ky, George Lo Grasso, Graham Marchant, Seraphina Martin, Janet Parker-Smith, Ben Rak, Sandi Rigby, Marta Romer, Susan Rushforth, Anna Russell, Denise Scholz-Wulfing, Gary Shinfield, Laura Stark, Wendy Stokes, Thea Weiss, Cheryle Yin Lo and Sharon Zwi |




Seong Cho, Ben Rak and Roslyn Kean have been selected as finalists in the Gosford Art Prize.
Opening Friday 19 August 2022, from 6pm.
Exhibition dates 20 August – 23 October 2022.

A number of members of Sydney Printmakers have been selected as finalists in this years prize: Susan Baran, Danielle Creenaune, Salvatore Gerardi, Roslyn Kean, Ben Rak, Wendy Stokes and Andrew Totman. Congratulations to all!
The exhibition opens on the second of September.


Connecting with land and place, with histories, geologies and memories, helps these four artists, two Australian and two New Zealanders, deal with the dilemmas of change. Whether permanent or precarious, personal or political, poetic or polemic the artists solicit form and material to put a stake in the ground. At this moment, they say, “we stand with a view of a place, or this place, capturing the reverberations of ‘now’ as a record and perhaps as a way to step forward”. With an established practice in printmaking and working on paper, the artists develop their ideas in relation to processes of change over time, Accretion and Abrasion.
The works of New Zealand artist Jacqueline Aust chart her navigation of new environments. Each journey begins with marks inscribed in a matrix, a map. Accumulated layers refer to previous experience or notions of home … obscuring and revealing, tracing a path from past to future, with history as a residue to build on.
Sydney based artist Anthea Boesenberg’s works celebrate the age and endurance of an ancient landscape. Multi panelled rust prints, like the landscape they represent, continue to degrade over time.
Kathy Boyle is a New Zealand printmaker whose work examines accretion in geological terms of collision, and subduction. She uses a variety of materials, paper, plaster, metal to express her ideas.
Gary Shinfield is an artist based near Sydney. His works began as a series of woodcuts, and he uses printmaking and painting techniques to create images that become more abstracted and fragmented in response to living in a time of constant and accelerating change.
The artists in this exhibition trace a path through spaces affected by ever-present forces of accretion and abrasion, around us and within.
Artists Anthea Boesenberg and Gary Shinfield will be in the Gallery
SATURDAY 30 July 2-4 pm



The theme for the prize is ‘The Vessel: contained within and moving between’. In working with the theme, we invite artists to explore literal or lateral translations of the vessel, exploring the notions of, but not limited to the power to hold, containment, passage, memory as well as the vessel in relation to life, water and place.
The Lake Art Prize 2022 has a $25,000 acquisitive prize pool to acquire works for the MAC yapang collection. Finalist’s works will be on view at MAC yapang in the Lake Art Prize 2022 finalist exhibition from 24 September – 11 December 2022.
MAC yapang sits upon the Awabakal Country in which Awaba, the Lake, is contained. As water is an integral part of our direct landscape it is also an ongoing theme in the exhibition programming and collection strategy.
Applications are to be submitted in a two step process, outlined below. Please complete both steps prior to the application closing date to ensure the validity of your entry.
1. Complete the online application form
2. Pay your $35 entry fee. The online payment form will be available soon and artists who have completed their submission will be notified by email. You can also pay with cash or card at the MAC yapang front desk, 9am – 3pm Tuesday – Sunday. Remember to note down your Smartygrants submission number.

Calling for contemporary visual artwork – painting in any medium, drawing, printmaking, digital, photographic and video art, textile and fabric art, collage, multi-media and new media – no theme – emerging and established Australian artists.
Entry Fee: $30/entry, limit two – Commission: 25%
Key People:
Curator: Megan Monte, director, Ngununggula National Trust and State Gallery at Retford Park
Judges: Sophie O’Brien, curator, Bundanon Art Museum and Jane Watters, Director, SH Ervin Gallery
Special Advisor: Rex Irwin, international art dealer
ENTRIES NOW OPEN
Open 25 July
Close 19 August 5pm
Apply now!
Key Dates:
Entries open 25 July
Entries close 19 August 5pm
Finalists announced 5 September
Exhibition dates: 30 September – 3 October in Kangaroo Valley