Here are some shots of the exhibition taken by Cheryle Yin-Lo.



Promotion of Australian printmaking and members work.
Here are some shots of the exhibition taken by Cheryle Yin-Lo.



Anna has been working hard on the website to make a new exhibition catalogue page. It is still very much in development so please bear that in mind. More images will be added over the next little while. If you have work in the show and it is not yet represented on the page and you have not yet done so, please send your images to Anna for inclusion. We intend to have a catalogue page for each of our exhibitions in the future.
See https://sydneyprintmakers.com.au/exhibitions/a-poetry-of-ideas-in-print/

Andrew Totman

Dinah Taprell Johanson

State Library Victoria, in partnership with the Baldessin Press, is offering a new artist’s book residency as part of the annual fellowship program.
The Tate Adams Memorial Residency is offered to an artist to accomplish a limited edition or unique state artist’s book, using research from State Library Victoria and the studio facilities at Baldessin Press & Studio.
The Baldessin Press can supply studio access, accommodation and assistance to facilitate the book project in many ways, to the sum of $5000 over the 12-month period.
The recipient also has the opportunity to participate in an event to present their project to the Library, the public and other supporters.
Applications for the 2019–20 fellowship are now open. Fellowship applications must be received by midnight on Sunday 28 April 2019.
The creative content of applications is of primary importance. Along with clearly describing the book’s proposed content, design and appearance as a finished object, applications can include original text, typography, sketches or examples, proposed printmaking components and binding or presentation. Each application will be judged on individual merit, including the artist’s personal conception, expression and definition of book art.
Note: Applicants must include documented and dated images of their work, along with links to any websites where their work is displayed.
If you have specific questions about the Tate Adams Memorial Residency requirements or selection process, contact Gail Schmidt at fellows@slv.vic.gov.au or on 03 8664 7335.
Tate Adams AM (1922–2018) established the artist print department at RMIT in 1960 and championed printmaking throughout Australia. His students included George Baldessin.
Situated in bushland 50 km from Melbourne in St Andrews, the Baldessin Press & Studio is named in memory of artist, printmaker and sculptor George Baldessin (1939–78), who built the bluestone studio in 1971.
Angus Fisher’s Pied Cormorant will be shown at the Sydney Printmakers show at The Concourse along with works from 40 other artists. Come and have a look!
The show is open from the 20th of March to the 7th April, with the Official Opening on Saturday 23rd from 3pm to 5pm by Dr Therese Kenyon.
Hours: Wednesday to Friday 11am to 5pm, Saturday and Sunday 11am to 4pm.
Six members of Sydney Printmakers are finalists in the Burnie Print Prize 2019: Anna Russell, Gary Shinfield, Carolyn Craig, Rew Hanks, Laura Stark, Anne Starling.

And Gary Shinfield, Anne Starling and Rew Hanks are finalists in the Haugensund International Festival for Artists Relief Print in Norway.

APW President Joe Connor & APW Director Anne Virgo OAM invite you toINTERPRETATIONS
a selection of original fine art prints produced
through APW’s artist support programs in 2018APW Collie Print Trust Emerging Victorian Printmaker Scholarship
Liam HaleyAPW James Northfield Lithography Scholarship
Jaime PowellAPW Artist-In-Residence Program
Chris de Rosa
Anne StarlingOpening 2-4pm Saturday 23 FebruaryExhibition continues until 6 April 2019
Australian Print Workshop Gallery
210 Gertrude Street, Fitzroy, Victoria 3065
T: (03) 9419 5466 E: auspw@bigpond.comImage: Dance of the Past, lithograph and silkscreen on paper by Liam Haley
Australian Print Workshop gratefully acknowledges the generous support of the Victorian Government through
Creative Victoria, The Collie Print Trust which is managed by Equity Trustees, and James Northfield Heritage Art Trust
Australian Print Workshop Inc
210 Gertrude Street, Fitzroy, Victoria 3065, AUSTRALIA
PO Box 1236, Collingwood, Victoria 3066, AUSTRALIA
T: (03) 9419 5466
E: auspw@bigpond.com
W: www.australianprintworkshop.com
Australian Print Workshop Inc. is a registered Deductible Gift
Recipient (DGR). Donations of $2 or more are tax deductible.You are receiving this email because you have indicated your interest in information about our organisation.
20 March – 7 April
11am – 5pm, Wednesday to Friday 11am – 4pm, Saturday and Sunday Art Space on The Concourse
Representing the work of 40 artists from Sydney Printmakers, this exhibition presents an individualistic mix of prints and objects, with themes including social and political commentary, imagination of the artist and the Australian environment.
ART CRAWL: 21 March, 10am – 12.30pm.
ART MONTH SYDNEY’S NORTH SHORE ART TOUR: Saturday 30 March Sydney Printmaker’s PRINTMAKING DEMONSTRATION & LIGHT LUNCH 2.30pm – 3.00pm FIND OUT MORE >>
Image Credits: Janet Parker-Smith, The Vanishing Point, 2016, 6 colour screenprint |
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Coming Soon: An exhibition from Sydney Printmakers at Art Space on The Concourse, Chatswood.
Representing the work of forty artists from Sydney Printmakers, this exhibition presents an individualistic mix of prints and objects, some of which are centred on social and political commentary, the imagination of the artist, and the Australian environment.
20th March to & 7th April 2019
Opening Event: Saturday 23rd March, 3pm – 5pm
Hours: Wednesday to Friday, 11am – 5pm
Saturday and Sunday, 11am – 4pm
Image Credits: Thea Weiss, A Fleeting Breeze (Kalamina Gorge), 2015, Caustic Soda Etching on Lino on various supports, 70cmH x 50cmW.
Sandi Rigby, Dinner for Two, 2015, Etching, 59cmH x 57cmW



This Ain’t No Mirage
Artist, Lea Kannar-Lichtenberger has created an environmental narrative of four islands from around the globe; Lord Howe Island (NSW) the Galapagos Islands (Ecuador), Faroe Islands(the North Sea) and Deception Island (Antarctica). Through their remoteness, the plight of these islands, surrounding waters and wildlife, remains virtually invisible to our world. Having spent the past four years involved in onsite research, the artist works to reveal how human encroachment is affecting these islands.
Curator, Jan Guy presents Kannar-Lichtenberger’s multidisciplinary approach to her subjects. The artist’s considerations of these environments through her research and artistic practice has created an eco-critical vision sitting at the intersection between the sciences and humanities.
This Ain’t No Mirage is an exhibition which addresses the discourse surounding the role of contemporary society, increasing tourism and how remote places are being affected by our consumerist culture.
QCA Project Gallery, ground floor (level 2) of the Webb Centre (SO2)
QCA South Bank campus
226 Grey Street
South Bank
Lea Kannar-Lichtenberger will be onsite to talk about her work and research each Fri and Sat at Noon and 2pm