
NWOP award is hosted by Mornington Penisular Regional Gallery and is a prestigious biennial exhibition and award
Entries close 20 March
No size limit
find out more mprg.mornpen.vic.gov.au
Promotion of Australian printmaking and members work.

NWOP award is hosted by Mornington Penisular Regional Gallery and is a prestigious biennial exhibition and award
Entries close 20 March
No size limit
find out more mprg.mornpen.vic.gov.au

Sharon Zwi Print and Photography Exhibition
26th March- 1st April
Opening 4-7pm Saturday 28 March
at The Shop Gallery 112 Glebe Point Road Glebe, daily 11am-6pm

Congratulations to Sydney Printmaker member Anne Starling for being selected a finalist to the Muswellbrook Art Prize 2026. Exhibition dates 19 March-23 May
other finalists selected and their work https://www.artgalleria.com/view-room/42264

Theme: Built to Expire, Closes 19 March

Partnership between Messums UK and Orange Regional Gallery. Valued at $33,000 this six-week residency in the UK must take place between 1 September and 30 November 2026 .
Closes 30 April

St Kevins OMNIA Art Prize Toorak, closes 13 March

Closes 18th May

Opening 3pm Saturday 14 March by Mary Faith Director of Grace Cossington Smith Gallery
RSVP by QR code
Artist Talk 11am Saturday 28th March
Gosford Regional Art Gallery & Edogawa Commemorative Garden, 34 Web St East Gosford, open 9.30-4pm daily

you are invited to
Sydney Printmakers exhibition
UNCERTAIN SANCTUARY
to be opened 2pm Saturday 7th March
by Katherine Roberts Senior Curator, Exhbitions & Collections Manly Art Gallery and Museum
with Artist Talks at 1pm
at the Garden Gallery, enter via Reception Royal Botanical Gardens Mrs Macquaries Road
4-15th March 2026, 10am-4pm daily
‘UNCERTAIN SANCTUARY’ Contemplation, reflection and protection.
An exhibition of recent works linking the artist’s studio and the making process with gardens and their nurture.
The concept of sanctuary is not just about physical space but also an inner refuge where ideas take root and flourish. Gardens, with their cycles of growth and decay, mirror the creative process itself, where inspiration arises from contemplation and perseverance. Similarly, the studio becomes a sacred ground, a sanctuary where the artist can retreat, reflect, and transform thoughts into tangible forms. This interplay between the natural world and the creative spirit is a testament to the enduring power of solitude and the focus on our artistic adventures.
The artist’s studio parallels Virginia Wolf’s concept of ‘A Room of One’s Own’ and serves as a sanctuary akin to a garden, awaiting to be nurtured with profound thought and creativity. The desire to isolate to concentrate and muse on how to make something that expresses a reality without necessarily being realist in form, is an ongoing imaginative project. Close observation of nature through drawing, photography, printmaking and painting is where the landscape is literally captured and taken back to the studio/sanctuary often to be mulled over and refined or otherwise referred to obliquely with unusual materials, methods and interpretations of the selected environment.
Even if the studio adopts a more industrial and factory-like appearance, such as a print workshop, it frequently includes a reserved and secluded area within its walls or a park or garden nearby, for contemplation and research. The intersecting of print media with the nuances of landscape and our natural world has attracted some key Australian artists such as Janet Laurence, Simryn Gill and Fiona Hall. They all use some form of print media to create their works. From nature printing, projections, sculpture and videos as well as works on paper. Print media allows for the layering, folding and pressing of ideas onto paper and other large-scale materials to create new and imaginative ways to reflect on our natural world.
These exhibited works are by members of the Sydney Printmakers Inc. who have responded to the idea of sanctuary as a space to think, dream and make, and the many and various methods of print-based practise that exists in contemporary art in 2026.
Many print media artists across Australia are members of the Print Council of Australia. The PCA celebrates its 60th year in 2026 as the leading advocate for print media, nationally. There is a strong connection between the Melbourne based PCA and the Sydney Printmakers who have already celebrated their 60thanniversary and have been working collaboratively since the 1960s. This exhibition celebrates the connections between these two organisations and the longevity of both.
Therese Kenyon

Congratulations to Sydney Printmaker member Nathalie Gautier-Hartog on being selected finalist to the Alice Prize 2026, with her work Margaret River.
The Alice Prize is an acquisitive national contemporary prize that celebrates artists working in any medium or theme from across the nation.
A biennial prize at Araluen Cultural Precint, Alice Springs, March 27 to June 8 2026

Jacky Cheng, …that awaits at the end of life, 2022, Kozo papers, joss papers, organic fibres, natural and synthetic paper fibres, National Works on Paper 2024 install, photo: Kinfolk Imagery
National Works on Paper (NWOP) is one of Australia’s most prestigious acquisitive awards. A biennial exhibition, its role is to support and promote contemporary Australian artists working on or with paper.
With a long and rich history, National Works on Paper attracts leading contemporary artists from across Australia working in the fields of drawing, printmaking, digital prints and paper sculpture.
Recent winners include d Harding, Anna Hoyle, Annika Romeyn, James Tylor & Laura Wills, Daniel O’Shane, Jess Johnson, Laith McGregor, Richard Lewer, Danie Mellor, Gareth Sansom, Paul Boston, Lisa Roet and eX de Medici.
Mornington Penisular Regional Gallery
National Works on Paper 2026
Up to $50,000 acquisitions and awards
Entries closed Friday 20 March
Exhibition dates Saturday 5 Sept – Sunday 22 Nov 2026
Framed works will be displayed using D-rings. No other hanging devices are to be attached to the works. Unframed works will be displayed using pins or magnetic ‘pins’. Artists should supply instructions with their work where appropriate.
There is no size restrictions for entry, but note that display wall height is 3.8 metres.
more info https://mprg.mornpen.vic.gov.au/Exhibitions/National-Works-on-Paper/National-Works-on-Paper-2026

BIENNIAL NATIONAL PRINT & DRAWING
ACQUISITIVE AWARDS
$20,000
ENTRIES CLOSE 17 MAY 2026
for more information
https://www.swanhillregionalartgallery.com.au/Whats-on/Print-Drawing-Awards.aspx

Sydney Printmaker members Nathalie Gautier-Hartog and Ro Murray at the opening of WAMA Works on Paper Environment Prize 2025.
The major acquisitive prize was awarded to Kate Gorringe-Smith, and three awards of excellence were presented to Deanne Gilson, Delores Skowronski and Ro Murray by the Judges Dr Jacqueline Healy, Dr Vicki Couzens, Suzanne Davies and Anne Virgo.

NATHALIE GAUTIER-HARTOG Hawkesbury River 2025 letterpress and rizzo printing, 90x160cm
You can visit the exhibition in person at WAMA’s newly opened National Centre for Environmental Art 4000 Ararat-Halls Gap Rd, Halls Gap, Victoria.
Thursday – Sunday 10am – 5pm until 16 March 2026
View + Vote: https://artprize.wamafoundation.com.au/