
The work is on display at the Project Space, and can be viewed from both inside and outside the gallery.
Promotion of Australian printmaking and members work.

The work is on display at the Project Space, and can be viewed from both inside and outside the gallery.
25 May – 7 July 2019 Paper and Place Gosford Regional Gallery
For centuries paper has been used as a medium for keeping record and holding memory. In this exhibition contemporary artists Nathalie Hartog-Gautier and Beverly Smith each use paper to respond to the unique character of significant places.
Nathalie Hartog-Gautier’s work focuses on the concept of the voyage, its transformations, attachments and associations. Her large scale paper installations for this exhibition represent her reflections on the environment and history of Hill End, the Blue Mountains and the Central Coast.
Beverly Smith uses natural dyes from Indigenous trees, earth pigments of ochre, sand, earth and binders on paper to tell visual stories connected to her Aboriginal identity, culture and Country. With rich personal iconography she presents a series of works on paper that explore sites of personal and cultural significance in the Brewarrina area.

Nathalie Hartog-Gautier, Colours of the landscape, natural pigments on hand made paper.



Here are some shots of the exhibition taken by Cheryle Yin-Lo.



Anna has been working hard on the website to make a new exhibition catalogue page. It is still very much in development so please bear that in mind. More images will be added over the next little while. If you have work in the show and it is not yet represented on the page and you have not yet done so, please send your images to Anna for inclusion. We intend to have a catalogue page for each of our exhibitions in the future.
See https://sydneyprintmakers.com.au/exhibitions/a-poetry-of-ideas-in-print/

Andrew Totman

Dinah Taprell Johanson
Saturday 30 March, 2.30pm – 3.00pm
Join Sydney Printmakers at Art Space on The Concourse for a drop-in printmaking demonstration and a light lunch. See the exhibition, learn something about printmaking and mingle with other art lovers.
The exhibition is open until the 7th April.


State Library Victoria, in partnership with the Baldessin Press, is offering a new artist’s book residency as part of the annual fellowship program.
The Tate Adams Memorial Residency is offered to an artist to accomplish a limited edition or unique state artist’s book, using research from State Library Victoria and the studio facilities at Baldessin Press & Studio.
The Baldessin Press can supply studio access, accommodation and assistance to facilitate the book project in many ways, to the sum of $5000 over the 12-month period.
The recipient also has the opportunity to participate in an event to present their project to the Library, the public and other supporters.
Applications for the 2019–20 fellowship are now open. Fellowship applications must be received by midnight on Sunday 28 April 2019.
The creative content of applications is of primary importance. Along with clearly describing the book’s proposed content, design and appearance as a finished object, applications can include original text, typography, sketches or examples, proposed printmaking components and binding or presentation. Each application will be judged on individual merit, including the artist’s personal conception, expression and definition of book art.
Note: Applicants must include documented and dated images of their work, along with links to any websites where their work is displayed.
If you have specific questions about the Tate Adams Memorial Residency requirements or selection process, contact Gail Schmidt at fellows@slv.vic.gov.au or on 03 8664 7335.
Tate Adams AM (1922–2018) established the artist print department at RMIT in 1960 and championed printmaking throughout Australia. His students included George Baldessin.
Situated in bushland 50 km from Melbourne in St Andrews, the Baldessin Press & Studio is named in memory of artist, printmaker and sculptor George Baldessin (1939–78), who built the bluestone studio in 1971.
Angus Fisher’s Pied Cormorant will be shown at the Sydney Printmakers show at The Concourse along with works from 40 other artists. Come and have a look!
The show is open from the 20th of March to the 7th April, with the Official Opening on Saturday 23rd from 3pm to 5pm by Dr Therese Kenyon.
Hours: Wednesday to Friday 11am to 5pm, Saturday and Sunday 11am to 4pm.