Prints and and other works on paper.


Promotion of Australian printmaking and members work.
Prints and and other works on paper.


WARRINGAH PRINTMAKERS STUDIO
sat. 7 & sun. 8 april
viscosity printing with seraphina martin
Guest artist, Seraphina Martin returns to our studio to demonstrate and teach the remarkable possibilities of viscosity colour printing. Using photopolymer plates we will explore the various ways these plates may be printed. Seraphina trained at Atelier 17 studio in Paris with Stanley William Hayter, the inventor of this technique.
Time: 10am to 4pm
Members: $300.00
Non members: $325.00 (includes Assoc.Membership)
Includes most materials
Bookings: Susan@printstudio.org.au.
Website: printstudio.org.au


Detail: Index Cards for Normalcy, Carolyn Mackenzie-Craig.
Entries Close: Monday 14th May, 2018
Artists Notified: Friday 18th May, 2018
Exhibition Dates: 27th July to 19th August, 2018
For further information and Entry Form, go here.



Tama Art University has organized the Tokyo International Mini-Print Triennial five times thus far, with the aims of showing the world’s latest contemporary prints and collecting scholarly data on materials, techniques, and expressions of printmaking.
For this sixth edition, we will hold an open competition in search of greater artistic and cultural diversity.
Entry period
Entry period OPENS starts at 11 AM on January 11(Thu.), 2018 (Japan time)
Entry period CLOSES at 8 PM on January 25(Thu.), 2018 (Japan time)
Works must have been produced in 2016 or later.
Each person may only submit one work.
Works must be signed and edition-numbered by the artist.
There are no restrictions on plate types or techniques used.
Works are to be on A4 size (297 x 210 mm) paper, horizontal or vertical, and the image size is to be no larger than 270 x 180 mm.
We do not accept collaborative works.
Works that soil the surrounding environment or are difficult to handle may not be accepted.
This is an open competition.
There is no fee to exhibit.
Selected works will be acquired by the Tama Art University Museum of Art and will not be returned.
http://www.tamabi.ac.jp/timpt/
Entry form here.

National Works on Paper
The Mornington Peninsula Regional Gallery’s National Works on Paper was established in 1998 and incorporated the former Spring Festival of Drawing and the Prints Acquisitive which began in 1973.
National Works on Paper is one of Australia’s most prestigious awards and acquisitive exhibitions. A biennial exhibition, its role is to support and promote contemporary Australian artists working on or with paper.
Recent winners of the National Works on Paper include Daniel O’Shane, Jess Johnson, Laith McGregor, Richard Lewer, Danie Mellor, Gareth Sansom, Paul Boston, Lisa Roet and eX de Medici.
2018 CALL FOR ENTRIES
Up to $50,000 Acquisitions and Awards
Entries open: 25 January
Entries close: 6 April
Exhibition dates: 20 July – 9 September 2018
http://mprg.mornpen.vic.gov.au

ON PAPER contest 2018
4th ANNUAL INTERNATIONAL PRINTMAKING AWARD
1ST PRIZE 1000€
New 2ND PRIZE 300€ for the print with the most creative printing process
AWAGAMI PAPER AWARD 100 sheets of AWAGAMI EDITIONING paper worth 500€, sponsored by the Awagami Factory
The SHORTLISTED artists will exhibit at the Spike Print Studio at Spike Island, Bristol, UK, in summer 2018
DEADLINE April 1st 2018
FEE 26€
The contest is open to anyone. Application is online at onpapercontest.com
Rules available in ENGLISH, SPANISH and CATALAN

Irena Conomos and Gary Shinfield are holding a second workshop in the Blue Mountains, from Tuesday 16th to Friday the 19th of January. This workshop will be similar to the first.
The basis of this workshop is an immersive experience responding to the environment, climatic conditions and nature in all its manifestations. Your work will be shaped by these experiences and any changes as they unfold.
From this exploration you will work independently developing your own ideas over the period of the workshop, working with two artists with many years experience in their respective fields of printmaking and photography.
Explore the Grose Valley and Blue Mountains National Park through daily excursion and research
Create through printmaking, drawing and photography
Develop your ideas in the studio.
In the workshop you will be working with multiple plates – 3 woodblocks and one piece of lino – to build a composite image or series of images. We will also explore ink painting in the landscape, the transfer of these onto blocks, etching lino, and various methods of multi plate printing.
Printmaker Gary Shinfield email: gary@garyshinfield.info
Photographer Irena Conomos email: irenaconomos@gmail.com
In this workshop you will be encouraged to explore photographically to move past the preconceived or familiar developing images using the photographs ability to reveal what is often unseen. The resulting work may remain as digital files for you to work on over time, images can be printed onsite or you can combine these with overprinting or as inspiration to draw on plates.
To receive workshop details and registration information please enquire on the above contacts. For accommodation options contact Gary Shinfield directly.